The
“Do Re Mi … File” objective
The
“Do Re Mi … File” objective
was to carry out
a research-action activity aiming at experimenting a new method
of raising music interest of children thanks to the use of computerised
tools, in particular multimedia.
The use of computers gives many opportunities for music learning
process, possibilities of innovation and creation complementary
to traditional teaching methods. The partners of the project
have committed themselves to carry out a common exploration
and research process on these issues.
The constitution of a European
partnership in the framework of this project gave the opportunity
of comparing pedagogical approaches, different didactical needs,
impacts on pupils on the ground of cultural diversity and of
national teaching systems variety, as well as it increased the
experience through a fundamental European multicultural added-value.
The project aimed at disseminating
the experience on a European scale, in order to give concrete
and useful results to other educational institutes or free time
associations from several European countries for the renewal
of music teaching methods.
The
collaboration with the Garamond company
In order
to achieve this ambitious objective the partners of the project
set up a collaboration partnership with the multimedia training
and publishing house Garamond. This had created a new system
for sound and music exploration for children, called “The
Theatre of sounds”, that the partners of “Do Re
Mi … File” project chose as experimentation ground
thanks to its characteristics in coherence with the project
pedagogical objective foreseen.
Thanks to this system
it is possible to create a sound interactive space where children
can play with sounds through body expression, as movements can
transmit messages that are immediately transformed into sound
through a system of sensors/mats (shaped like a Daisy) linked
to the computer. The system gives the possibility to use pre-existent
but also to create new “Interactive Sound Environments”
(ISE), which are formed of several sound sequences (sound, music,
sound effects) that, interrelated, give life to a story, an
environment, a melody etc. Children become actors and give life
to animating sounds as if they were the performers of the show:
that’s why the system refers to the metaphor of “Theatre
of sounds”.

System
experimentation
At first,
the system was used with the “Reader” function,
allowing to run pedagogical proposals already set up by Garamond.
Then teachers and educators used it with the “Author”
function that gave them the opportunity to create new Interactive
Sound Environments (ISE) with children. It was the occasion
for them to elaborate a personal approach of system use which
remains a tool that should help developing fantasy and creativity
with the aim to open new horizons to music approach.
Differentiated experimentation
proposals were carried out by the partners, on the base of age,
countries and culture, scholarship or non-scholarship contexts.
Teachers and educators communicated regularly through the reserved
area of the project web site in order to exchange experiences
and proposals.
“Theatre of sounds”
development
The
collaboration with the Garamond company foresaw also the development
of the previous system version, with the aim of setting up a
version n° 2 through the meeting of competencies between
the teachers and educators involved in the project and Garamond
consultants. Through the synergy coming from this collaboration
it was possible to improve the previous version from the technical
point of view. This new version was then tested during the second
experimentation phase. It allows to register the performance
of an ISE and then to hear it again and see the graphical representation.
Steps
of the project
March 2001
– July 2001.
Mutual presentation between the partners, exchange of
opinions and experiences with special regard to the philosophical
approach to music, to the results expected through the project,
to competencies and knowledge to transmit to other participants
in the framework of the present project.
Research of a multimedia production/publishing pedagogical society
able to propose a software in coherence with pedagogical and
technical expectations of the partnership: research closed with
the agreement signed with Garamond society.
August
2001.
Formal collaboration
agreement between “Do Re Mi … File”
partners and Garamond company.
September
2001. Training
seminar for the use of the “Theatre of sounds”
system at Modena for a duration of three days, addressed to
educators and teachers participating to the project, and highlight
of elements to be improved for the version n°2 system.

October
2001 – February 2002.
Experimentation phase of the “Theatre of sounds”
version n°1 with the following elements: carrying out of
activities with children and mutual exchange between the partners
on pedagogical approaches implemented; technical and pedagogical
evaluation of existing system; continuous collaboration with
Garamond society for the setting up of development elements
leading to the version n°2 of the system.
March 2002.
Definition of the “Theatre of sounds” system
version n°2 by the Garamond society and up-dating of
teachers’ competencies in the system’s use.
First evaluation of the experiences carried out by the partners.
April 2002
– October 2002.
Further experimentation of the “Theatre of sounds”
version n°1 and first experimentation of the second version,
with the following elements: carrying out of activities with
children and mutual exchange between the partners on pedagogical
approaches implemented, with a special use of up-dating elements
and functions of the system; technical and pedagogical evaluation
of the system’s version n°2 .
November
2002 – January 2003.
Final project’s evaluation and dissemination of
results.
Organisation of the “Music education and technologies”
conference in Modena on November 30th 2002, with the presentation
of the "Do Re Mi… File" project results.
Making of the CD ROM of the project , to present the main results,
and updating of the web site.
Final evaluation of the experiences carried out by the partners
and external evaluation by an independent consultant, Isabelle
Meyer.